THE JOY
OF STORY
John M.
Daniel’s Blog
October
8, 2016
Welcome, friends and
fellow story crafters. Do you rely on your memory to help you with the details
of an incident in your past? Do these details matter, and must you get them
right? Good luck with that.
A member of my writing
group has a pair of twin cousins who shared a bedroom as little girls. Now
grown women, they still think alike about many subjects, but one of them has a
clear memory that the walls of their bedroom were blue, and the other twin is
positive that those walls were green.
This week guest blogger
J.R. Lindermuth, a fine mystery writer, expounds on this phenomenon of “creative
memory,” and the role it plays in his newest novel.
§§§
Perception
and Imagination—
There’s
a difference.
Perception, the
manner in which we experience events, is often expressed incorrectly as a
result of the imagination.
Of course
poets, Wordsworth for instance, knew that a long time ago. It was confirmed as
recently as 2013 in an article in Psychology
Today by scientific researchers in Sweden.
Law enforcement
also has been aware of it for a long time. It's the reason police prefer to
interview a witness to an event as soon as possible. As time passes, our
imagination begins to question and reshape what we experienced.
It can happen
to police, too.
It happens to
Officer Flora Vastine in Shares The
Darkness, seventh in my Sticks Hetrick mystery series. She allows memories
from the past to influence her investigation of a murder.
Jan Kepler and
Swatara Creek Police Officer Flora Vastine were neighbors and schoolmates, but
never close.
When Jan, a
school teacher, avid birder, and niece of a fellow officer, goes missing and is
found dead in a nearby tract of woods, Flora finds herself thrust into the
middle of an examination of the other woman's life, as she searches for clues.
As usual, the
police have more than one crime to deal with. There’s illegal timbering and a
series of vehicle thefts taking up their time. And there are other issues to
deal with. Flora is concerned that there’s some shakiness in her relationship
with Cpl. Harry Minnich, who seems to be making a lot of secretive phone calls.
Still Flora
maintains focus on the murder. Despite evidence implicating other suspects, the
odd behavior of another former classmate rouses Flora’s suspicion. Flora’s
probing opens personal wounds as she observes the cost of obsessive love and
tracks down the killer.
Some people
will question your sanity when you say your characters speak to you. Sigh. Only
another writer would understand. Flora had been nudging me to give her a chance
at taking the lead in a Hetrick book. After all, the man is her mentor and he's
taught her well. I decided to give her the opportunity, and I believe it worked
out better than I expected.
A retired
newspaper editor, J. R. Lindermuth
has published fourteen novels and a non-fiction regional history. His short
stories and articles have been published in a variety of magazines. He is a
member of International Thriller Writers and is a past vice president of the
Short Mystery Fiction Society.
For more
information about John Lindermuth and his books:
Webpage:
http://www.jrlindermuth.net
Amazon author
page: http://www.amazon.com/author/jrlindermuth
Blog:
http://jrlindermuth.blogspot.com/
FB:
https://www.facebook.com/john.lindermuth
FB author page:
https://www.facebook.com/John-Lindermuth-175253187537/?fref=ts
Twitter:
https://twitter.com/jrlindermuth
Goodreads:
https://www.goodreads.com/author/show/1005496.J_R_Lindermuth
In addition to
Torrid http://torridbooks.com/ and Amazon, his books are also available from:
http://www.simonandschuster.com/search/books/_/N-/Ntt-lindermuth
Barnes &
Noble, and from other fine bookstores.
§§§
Call for submissions: Your 99-Word
Stories
The
deadline for November’s 99-word story submissions is November 1. The stories
will appear on my blog post for November 12, and will stay posted for a week.
note: this 99-word story feature
is a game, not a contest. Obey the rules and I’ll include your story. I may
edit the story to make it stronger, and it’s understood that you will submit to
my editing willingly. That’s an unwritten rule.
Rules for the 99-word
story feature are as follows:
1. Your story must be 99
words long, exactly.
2. One story per writer,
per month.
3. The story must be a
story. That means it needs plot (something or somebody has to change),
characters, and conflict.
4. The story must be
inspired by the prompt I assign.
5. The deadline: the
first of the month. Stories will appear on this blog the second Saturday of the
month.
6. I will copy edit the
story. The author of the story retains all rights.
7.
Email me your story (in the body of your email, or as a Word attachment) to: jmd@danielpublishing.com
THIS
MONTH’S PROMPT FOR NEXT MONTH’S 99-WORD STORY: Write a story
inspired by the following sentence: I
don’t think we’re in Kansas anymore.…
§§§
Calling
all published authors—
I try to feature a guest
author the third Saturday (and week following) of each month. If you’re
interested in posting an essay on my blog—it’s also a chance to promote a
published book—email me directly at jmd@danielpublishing.com.
§§§
Thank you for visiting.
Please drop by next week.
John, I'd never thought about how imagination affects memory, but I will now. Thanks for that and best wishes for great success with Shares the Darkness.
ReplyDeleteThanks, Earl.
ReplyDeleteExcellent post on how intertwined our imagination, memories, and characters we create are--and how that plays out in our writing. Good post! Thank you. (I like it when my characters try to talk to me--unfortunately they often like to chat when I need to sleep!(smile))
ReplyDeleteThanks for visiting, Madeline. And congrats on the republication of Reticence of Ravens!
DeleteThanks, Madeline.I know what you mean about those characters talking to us.
DeleteThanks for hosting me today, John.
ReplyDeleteAnd thank you, John, for your excellent post.
DeleteI enjoyed reading your book, John. Your characters are intriguing as well as the plot. As a former news editor and reporter, I've found that writing fiction has freed me from the constrains of journalism as well as enriching my imagination.
ReplyDeleteThanks you, Jean. We come from a similar background in journalism and you're right about the difference.
ReplyDelete