THE JOY OF STORY
John M. Daniel’s Blog
February 6, 2016
<photo: John teaching
photo>
Greetings!
Here it is: February. February is a quirky month. For one thing, it’s shorter
by at least two days than any other month of the year, except for one out of
every four years, those years divisible by four, when February is only one day short. Those years are called Leap
Years, when females are encouraged to take courage in courtship. Other
spectacles of Leap Years are the Summer Olympics, where competition is attractive,
and U.S. Presidential Elections, where competition often turns ugly.
Other
features of all Februarys are a day designated for honoring U.S. Presidents,
like ’em or not, and, right in the middle of the month, a day set aside for
celebrating romance and love, with chocolate and promises.
So
this week, the first full week of February, my blog post is about love, lovers,
and how important they are to the art of storytelling. Next week we’ll be
showcasing a generous helping of 99-word stories, written by readers of this
blog, about romance. Meanwhile, check out my promotion of a book full of
romance and love in various forms, Hot
Springs Eternal, which happens to be my newest published novel, now
available (and only available) as an ebook.
Also, you'll find below this month's new prompt for March's 99-word story feature.
Also, you'll find below this month's new prompt for March's 99-word story feature.
§§§
Falling
in Love, into Bed, and sometimes out of Sorts
I have strong opinions when it comes to writing
about love and relationship, love and sex, and the thrilling experience of
falling in love. No matter how a person experiences relationship, sex, or
falling in love in “real life,” when a fiction writer takes on these subjects,
it’s all about change. That’s how the magic of fiction works: something happens
to somebody, and that something is change.
To begin this discussion, I want to focus on that
overwhelming, surprising, beautiful (usually), changing experience of falling in love.
As if we needed some instruction or a road map for
falling in love, I’m guessing at least a third of the standards in the Great
American Songbook deal with the magic moment. Steve Allen wrote, “This Could Be
the Start of Something Big,” and Johnny Burke warned us “It Could Happen to
You.” For my money Nat King Cole put it best when he sang, “Flash! Bam!
Alakazam! Wonderful you walked by…”
In fiction this experience changes a person from
dull to alive, from self-centered to embracing, from sleepwalking to
tap-dancing. Be warned, however, that falling in love can bring a lot of
disruption and trouble; but let’s be carefree lovers and forget the
consequences…until some later discussion.
Meanwhile, let’s move onto something that often
comes up when lovers find out that they’re lovers. Sex.
How much sex belongs in a novel? And how explicit
should the sex scenes be? Both answers depend on whom the writer wants to
entertain. Let’s assume we’re not writing for the porn audience. Let’s also
assume we’re not writing for young children or prudes. Somewhere between these
extremes is an intelligent audience of readers who accept sex as a normal and
healthy ingredient of life, especially when we’re writing about the
relationship between a couple of lovers.
Still, it’s a touchy subject, and sex described
clumsily can appear offensive, laughable, or boring. I propose a few guidelines
for keeping sex scenes intelligent and meaningful.
1. Less is more. There’s no need to tell about every
time a couple make love. There’s no need to describe in detail every feature of
the human body, nor does the reader want a complete laundry list of your
characters’ clothing as it is unbuttoned, unzipped, torn off, and cast aside.
And remember that every sex act doesn’t end with a fireworks display and a
hallelujah chorus.
2. Engage the brain. Remember that the mind is the
most erogenous zone we’ve got. Don’t be afraid to inject some humor into the
scene if it’s appropriate, or tears if they’re called for. And try to come up
with something original, difficult as that may seem. After all, you want your
characters to be interesting in everything they do.
3. Remember that fiction is about change. This sex
should be important to the plot, not just a dance routine thrown in for added
entertainment. The sex act should significantly change either one or the other
lover, or both, and it will most likely change the nature of the relationship
as well.
Speaking of relationship, I have a couple of
things to say about that, too. I don’t pretend to be an expert on the
psychology of love, but I do have opinions concerning how to write well about
the relationship between lovers.
Once again, it’s all about change. If you want the
relationship to be central to the plot, the relationship must be developing,
evolving, growing closer or more distant or falling apart, turning sour or
turning to gold.
Another essential ingredient of a story or a novel
primarily about a relationship is the sine
qua non of all fiction: conflict. A novel about a perfect relationship
wouldn’t make much of a novel. In fact, the “perfect relationship” hasn’t been
around since Eden, and even that one didn’t last, or at least didn’t stay
perfect.
Take heart. Not all relationships die, even in
fiction. But at the core of every story about relationship is that question
posed by Ladies’ Home Journal: Can
this marriage be saved? The job of the writer is to show the success or failure
of the relationship, and to make the reader care whether the relationship
flourishes or flounders.
§§§
Volunteer posters
wanted:
Every
week beginning on the third Saturday of the month, I turn the stage over to a
guest author. If you are an author, preferably one with a published book you
want to tell the world about, and if you have thoughts and feelings about the
pleasure and craft of writing stories, I invite you to get in touch with me by
email: jmd@danielpublishing.com.
§§§
Call for submissions: Your 99-Word Stories
The deadline for next month’s 99-word
story submissions is March 1. The stories will appear on my blog post for March
12 and the week following.
note: this 99-word story feature is a game, not a contest.
Obey the rules and I’ll include your story. I may edit the story to make it
stronger, and it’s understood that you will submit to my editing willingly.
That’s an unwritten rule.
Rules
for the 99-word story feature are as follows:
1. Your story must be 99 words long, exactly.
2. One story per writer, per month.
3. The story must be a story. That means it needs plot
(something or somebody has to change), characters, and conflict.
4. The story must be inspired by the prompt I assign.
5. The deadline: the first of the month. Stories will appear on
this blog the second Saturday of the month.
6. I will copy edit the story. The author of the story retains
all rights.
7. Email me your story (in
the body of your email, or as a Word attachment) to: jmd@danielpublishing.com
THIS MONTH’S PROMPT FOR NEXT MONTH’S 99-WORD STORY: The title of the above illustration is “It Hit Me Like a Tornado.” Write a 99-word story inspired by
the illustration or the title, but don’t make it about the weather.
§§§
And
now a word from our sponsor:
HOT
SPRINGS ETERNAL
a novel by John M. Daniel
a novel by John M. Daniel
978-1-56474-799-0
Hope Hot Springs, high on a forested
mountainside in Southern California’s coastal Matilija Range, was once the home
of millionaire Joel Hope and his silent-picture-star wife Clara Bianca. They
threw wild weekend parties back in the 1920s for the libertine Hollywood
royalty, who cavorted naked in the hot mineral waters and in the hotel where
the bedroom doors were never locked.
Now, 60 years later, Hope Springs is the
home of Karen and Nellie Hope, Joel’s constantly squabbling twin daughters.
They share the former resort with a commune of hippies, and they plan to reopen
Hope Springs as a weekend hotel, for a new generation of Hollywood stars. They’ve
hired a piano player named Casey to direct the staff and be the hotel manager,
as well as the host and entertainment for the guests, once the hotel is open
for business. They have an excellent vegetarian chef named Diana.
This all
promises to be a successful venture, but the powers that be want it to fail:
SoCal Development, in collaboration with Anacapa County and Pacific Power, is
scheming to claim the entire mountainside under the doctrine of eminent domain.
SoCal’s plan is to displace the Hope sisters and their community, clear-cut
their forest, and build California’s first geothermal bedroom community. All
Karen and Nellie have going for them is good intentions, a loyal staff, and
Nqong, an Australian aborigine sage who has lived like a hermit in the Matilija
mountains most of his life, tending to the healing waters and caring for a
yearly swarm of exotic yellow beetles, who might just save the day.
Thanks
for stopping by. See you next week, I hope! Meanwhile, happy reading and
writing, and may you continue to enjoy the joy of story.
Nice blog, and helpful. I appreciate your approach to a subject that is troubling to some of us -- especially those with faulty memories...
ReplyDeleteDac, I know what you mean about faulty memories. I have plenty of loved scenes in my memory, but I can't remember which ones really happened and which were wishful thinking!
DeleteWriting about love, sex, romance, change is the core of the novel for me. I write historical westerns and my love story has to be appropriate to the times and the people--and from the POV of my protagonist. You're right--less is more. Good thoughts and as always, well spoken.
ReplyDeleteThank you, Anne. Yes, I'm sure love, sex etc. are essential ingredients of fiction about the old west. I look forward to reading your tales!
DeleteI enjoyed -- and learned -- from you once again, John. Thanks for this timely blog -- and for the new 99-word prompt, which I'll share with my students.
ReplyDeleteMany thanks, as always, Eileen.
Delete