Note. This is the second chapter of a
small book I’m writing about how and why to write the stories of our lives. In
this chapter I give techniques for mining our pasts for good story material. I
know most readers of this blog are not memoirists, but fiction writers.
Nevertheless, since I believe that much if not most fiction is to some degree
autobiographical, I hope you’ll give this brief essay a read.
One
of the reasons writers give for not getting their life stories down on paper is
that they “don’t have anything to write about.” Well, maybe they feel that way,
that their lives contain no stories, but I don’t buy it. Anybody old enough to
hold this book in his or her hands has lived long enough to have experiences,
meaningful experiences, to write about. The task is to recall those memories
and then shape them into stories.
I
recommend three resources for stimulating your memory. I call these the Attic,
Rites of Passage, and Archetypes.
The
Attic isn’t, or doesn’t have to be, a real attic,
upstairs in a dusty loft. The image is just a symbol for where we keep relics
and souvenirs we haven’t looked at or thought about for quite a while. It’s the
compartment of your memory that opens up and reminds you of an experience, a
milestone, a subtle change—in other words, a story to be told. Reminders can
come to you from somebody else’s story, or from dreams, or from books and
movies; and they’ll hit you by surprise and demand that you remember something
that happened to you.
If nothing’s nudging you out of the blue, then
feel free to stimulate your memory by climbing the real attic stairs and
opening up that real chest of treasures. Don’t have an attic? How about a
basement? A junk drawer? Tool box? Glove compartment?
There are all sorts of stimuli at hand: photo
albums, scrapbooks, school yearbooks, certificates and trophies, recipe boxes,
scars on your body, poems from a love affair that turned sour or bloomed
beautifully. A yo-yo with a broken string. A piece of Noxema-blue beach glass
from Cape Cod. A favorite stone given to you by a mentor who later killed himself.
Old songs, popular when you were a child, or an adolescent, or when you fell in
love.
So if you want to write a story from your life
and you don’t know where to start, find an artifact. Remember how your life
changed when you added that artifact to your collection of odds and ends too
precious to throw away.
And start writing.
“Rights
of Passage,” a term borrowed from anthropology, refers to
those experiences that come as a result of our common biological or social
changes. Some of these changes are specific to males, and others to females;
but we all either experience them or know people who have experienced them. The
important thing about these shared experiences, in terms of the stories of our
lives, is not that they happen, because by their nature they’re common to us
all, but the psychological changes that happen because of them. The way you
experienced a certain rite of passage, and the way it made you different, will
be your own story.
What were the rites of passage that changed you
and made you who you are, different from before they happened? Here are a few,
common to many of us, that may jog your memory and make you itch to write about
them:
The Oedipal conflict, the generation gap,
sibling rivalry, first friends and best friends, romantic love, sexual love,
lasting love, loss of love, courtship, marriage, divorce, children (generation
gap redux), toilet training, summer camp, bar mitzvah, first menstruation,
learning to shave, first driver’s license, first auto accident, first sex,
getting eyeglasses, an abortion, getting religion, getting politics, going too
war, passing the bar, being promoted, being fired, grave illness, the joys of
grandparenthood.…
Now throw away that list and make a list of your
own turning points. Others will relate to them because you’ve stimulated their
own memories.
Here are a couple of tips on how to ensure a
resonance with your readers. Plug into the story some indication of what was
going on in the world when you experienced this rite of passage, this change.
The simplest way to do this is by hanging a date on the wall of your story. “I learned a lot about honesty in the summer
of 1974.” A more elegant way is to refer to a newsworthy event that was
happening at the time: “When Nixon went
on TV and told us, flat-out, that he was not a crook, I learned…” It’s also
important to let your reader know how far along in life were, either by stating
your age or, more interestingly, by referencing your experience: “I learned that love means nothing from the
tennis pro I fell in love with, the summer I turned seventeen.”
Archetypes
are another rich resource for inspiration when searching in
our past for the stories of our lives. Archetypes are those stories we all know
from our common cultural lore. Some examples of archetypes in our western
culture can be found in Greek myths, Old-Testament bible stories, and European
fairy tales. These well-known stories exist as if to illustrate the changes we
go through, so in a sense they’re another way of presenting rites of passage.
Have you found yourself in a horrible job
situation, doing mindless, meaningless work that you had no hope of completing?
So did Sisyphus. (As did Captain Ahab and Wile E. Coyote.) If you’ve ever had a
bitter rivalry with a sibling, remember the story of Cain and Abel. Was your
senior prom a glorious night for you or an embarrassing disappointment? Either
way, think Cinderella. I’m sure that each of us, at some time in our life, has
been unable to resist doing something we were told by our elders not to do. We
did it in spite of dire warnings, and as a result we had to suffer the
consequences. That’s why Eve and Adam got kicked out of the Garden. That’s how
Lot’s wife became a salt lick. Why Pandora opened up a box of troubles, and how
the Little Mermaid lost her life. And there are hundreds more. Let ancient
stories shine a light on your own moments of change. Let them awaken your
memories.
The three resources I’ve just discussed, the
Attic, Rites of Passage, and Archetypes, are handy tools for stirring up your
memories of the changes in your life. These memories are inspirations for
stories you’ll want to write.
So now would be a good time to discuss the
slippery matter of memory.
Be advised that memory is not an accurate record
of the past. Memory is a malleable art form. Every time we remember an event
from our past, we’re really remembering our most recent memory of that event.
Each time, we edit it slightly, so it changes and usually becomes more
meaningful and dramatic. This is especially true for us writers, because every
good writer is also a diligent self-editor.
Here’s my advice on this subject: don’t worry
about the editing process that goes on when we bring those memories out of the
trunk in the attic. The way you remember what happened is good enough, and you
don’t need to fact-check. A good memory is a valuable tool for anyone writing
life stories, but just as valuable is a lively sense of imagination.
Great suggestions, John. We've all had experiences, and there's no better teacher. Here's another twist on it: Since people often have differing memories of an event, ask a sibling or friend to recall an incident and get their take on it.
ReplyDeleteI quite agree, John. Families are wonderfully complicated, and no two siblings had the same parents.
DeleteGreat tips, John! The fact that my memories are not always accurate is often a plus in my writing. Since I write mystery novels, a little twisting of reality is a good thing.
ReplyDeleteRight, Pat. Bending the facts gives a writer more flexibility, and it avoids a lot of trouble.
DeleteJohn, this is a valuable post which I am immediately sharing with my writing prompt group. And I'm posting it on my twitter feed to FB. Nice work! Thank you. Marta
ReplyDeleteThank you for spreading the word, Marta.
DeleteHi Nancy. Glad to know you're still working on that fine memoir.
ReplyDeleteExcellent post, John! I've used bits and pieces of memories in several of my books, twisting them into something a little different as I write. You've reminded me to think back and enjoy the memories before writing them.
ReplyDeleteMarja McGraw
Thanks for stopping by, Marja. Yes, I think most of us fiction writers steal from our pasts and add an element of imagination.
ReplyDeleteHere I am, a week late, with my comments, John. I've been so busy this month teaching memoir writing classes and working on the revisions to my own! You give us such wonderful ideas and advice, and you know I'll share this with students and hold on to it for myself. I'm looking forward to more chapters.
ReplyDeleteGlad you stopped by, Eileen, and glad you're keeping the importance and the joy of memoir writing alive in our culture!
ReplyDelete